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Typically, access is provided across an institutional network to a range of IP addresses. If you are a member of an institution with an active account, you may be able to access content in one of the following ways: Get help with access Institutional accessĪccess to content on Oxford Academic is often provided through institutional subscriptions and purchases. Birth of a Nation is an inevitable, if also overused, fulcrum for opening the question of race and spectatorship in the early twentieth century. Griffith's Birth of a Nation (1915) suggests that the film's twinned celebrations of cinematography and white supremacy cover a fear of the insurrectionary potential of the theater's segregated balcony as a site that resists, and hence elicits, directorial control. A close reading of the pivotal scene of Abraham Lincoln's assassination in the Ford Theater in D. Rather than address recent documentary and fiction films in which segregation signs make cameo appearances, this chapter looks back at the formative moment of the teens and twenties, when the cinematic apparatus achieved the classical form that produced the conception of a universal spectator.
Doubletake pictures movie#
It looks through the lens of the movie camera at the anxieties provoked by a seating arrangement that placed socially inferior spectators above their social superiors.
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This chapter deals with the connections among photography, cinema, and segregated movie theaters in the United States.